
Descend the stair to the cheery, yellow basement of Midtown Catholic Charities and behold: the smell of sautéed garlic and onions draws you in immediately. In the back, fresh vegetables are simmering, soon to be served up in hot wraps for lingering shoppers to sample.

US LIGHT. A few years ago, a group of friends made a yearly tradition of collaborating on a holiday pageant called “May These Changes Make Us Light.” US LIGHT became my nickname for it, abbreviating to reference the kind of power we have together when we are supporting the unfolding of each other’s highest potential. This brave togetherness requires a both an ability to inhabit the Now moment with open-ended curiosity, and a willingness to bear with inevitable dark glimpses of each other’s shadows–without jumping ship.

Molting was not a metaphor, it was a reality. I felt floaty, fuzzy, ejected from my ‘normal’ life – I cared about very little. Sort of in shock, I entirely withdrew from people, work, and projects. Going out was not in my frame of possibility – I wanted to hide from the wind, the sun, from humans, from the intensity and hideousness of my feelings. Bathtime was my sole consolation. Stillness. Can I be equanimous with this?

“Ace me:” a cocky gauntlet, a whispered plea, surrendered, confident, raising the bar, have my all. Sort of like but way beyond: bedroom’s ‘F*** Me’, or checker’s ‘King Me!!!!’ Here — My life is on the line. What is worth it? How do I do it? For years I’d bike Manchester and only see those first two syllables of the ACE METAL building; that sweet mandate phrase would come foreground, percolate, ring around me.

As I am preparing for the Critical Mass Creative Stimulus 2011 exhibition coming up August 5th at the Regional Arts Commission, I revisited the intention I expressed at the project’s inception. Here’s the proposal I sent in last spring. Along with Sarah Paulsen, Emily Heymeyer, and Alex Petrowsky, I was awarded $1000 as a stipend to encourage open-ended creativity…. soon we’ll share what’s been stewing!

Making believe. Playing pretend. Dancing awake new characters less afraid of reality than I was. Wielding brushes for an encroaching circle of partially started paintings. Skipping and skateboarding the floors of concrete. Hide and seek with song. Torrential rainstorms on the roof. Wrapping my bravery around me like a blanket to ward off dark.

Sequined undies, neon lycra, striped leg&arm-warmers, new neon green bell, rad sunglasses I nabbed from my grandma, facepaint, clif bars, patch kits, pink handlebar tape, neo-spork. Check, check, check. All Packed Up…..but ….going nowHere.

This December I’ll be biking in costume with a motley crew of humans. For one month, each of us will molt our mundane routines, don a cape, and practice being our most playfully awake selves. It’s the Annual Superheroes’ Long Haul for Justice!

As we transform so do our streets and systems. Ghettomorphosis means casting a fresh way of city-building based in self-healing, power-sharing, nature-remembering. No rush. Just us. Ghettomorphosis gives “gentrification” a playful spanking and takes back the keys please!

The world unravels itself to me in repeated images, in symbols, in signs strewn in trash on sidewalks—self-fulfilling prophecies. Like the foreshadowing magnetic poetry I stuck on my toaster oven in that new apartment: “I sing trip away the sad mean shadow.”